Instead, the M7 uses its 32-bit signal processing capabilities to deliver high speed, high quality effects. You get multiple effects, but the M7 doesn't attempt to use up all its processing power trying to provide twenty effects at once.
For the money, you get a true stereo processor designed with quality in mind rather than quantity. There are no reverb algorithms, but the M7 has some excellent algorithms which provide high quality pitch shifting, chorusing, flanging, EQ, and a few other special effects. Instead, the M7 is the perfect mate for the R7. Sony's DPS-M7 is also a digital signal processor, and, like the R7, the M7 doesn't try to provide every effect known to man. It doesn't provide a lot of other effects found on many digital effects boxes, but you get everything you could want in a reverb unit. If you've been reading your R.A.P.s, you may recall a Test Drive at the start of the year on the Sony DPS-R7 Digital Reverberator.
